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Important 6 US Inf. marked platter

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  • Important 6 US Inf. marked platter

    Large soft paste platter with a disjointed three pattern transfer print.
    View of Newburgh. Made for the American market. Possibly retailed by J. Greenfield, Peck Slip, Manhattan, NYC

    Jacksons Warranted pottery. Job & John Jackson. Burslem, England. ca 1830. 22.5” X 15”. Private collection.

    The twenty-two inch platter, manufactured by the youthful, upstart potters Job and John Jackson of Burslem, England, is printed in the light brown version of Florentine Rose, a commonly produced pattern in the 1830s. Less common, however, is the secondary pattern of View of Newburgh*, sloppily placed in the center. Even rarer still is a tertiary print of the martial crest, 6th REG US Infantry

    The recent identification of this platter is a firsthand look at the young Jackson’s greedy push for success in the Staffordshire world. This simple artifact tells the story of intense rivalry not only among potters but also among kinsmen vying for the lucrative American market.

    Competition for the American ceramic trade between the War of 1812 and the Civil War was fierce among England’s Staffordshire potters who had always dominated the field. Struggling to find new commerce, the potters took advantage of the relaxed trade period after the 1812 conflict by shipping tons of wares on consignment—and glutting the American market with designs pointed at local tastes, such as the US Infantry design seen here. (This abundance of consignment wares combined with previous stock orders had a backlash effect. In a market where supply was now much greater than demand, ceramic prices fell drastically. Thusly, trade discounts from regular Staffordshire pricing agreements jumped from 25 percent in 1816 to 45 percent by the 1840s, further reducing profits.)

    In an effort to best their competitors, Staffordshire potters introduced hundreds of new designs with the hope of finding one that would become popular. Fledgling potters like the Jacksons were anxious to gain an edge; they copied older successful patterns and underhandedly sold discounted wares to foreign distributors under contract to other potters. Pilfering of closely guarded vendors list was not out of the question. This platter is possibly an example of that very practice.

    The established potters James and Ralph Clews of Cobridge, England, wrote the letter to New York merchants Ogden, Ferguson & Co., colleagues of John Greenfield, a successful ceramic importer in New York City, to complain about the shifty business practices of their nephews, Job and John Jackson, the makers and exporters of the platter shown here. The Clews** wrote:

    Cobridge, 31st December 1830
    To Messrs Ogden, Ferguson & Co.

    Dear Sirs
    It is now a length of time since we had thy pleasure—and our motive in now writing you is we are informed that one of our nephews are leaving thus as per the Packet Ship of tomorrow for New York purposely to establish a connexion in our line of business—they have been in our Manufactory under our bringing up, consequently all well acquainted with the names of all our customers, and to our very great surprise and disgrace have sent to each [or] nearly so small consignments of their ware to introduce it. We are not afraid of their doing us harm as they are of no extent. About 25£ to 30 is all they can make weekly. And what business they have to go with the America Trade astonishes us much.

    It is not at all improbable that he may make use of our name to the Dealers as a passport to introduce himself to their notice, therefore should this be the case be good enough to apprize them that their is no connexion betwixt us in anyway; when we have no doubt they will act accordingly. We regret exceedingly that our Spring orders already received are not more extensive, but hope we shall very shortly have a further supply. We have had the pleasure of a visit from your Mr. Ogden whose personal acquaintance we were very much please to make and the arrangements we have made, in conveying on our future business we are induced to think will be the means of keeping us going with a plentiful supply of orders. How is it Messrs Greenfield have been doing, so little of late, and as yet we have not our spring order from Mr. Garretson—or Messrs Webb—but hope shortly to receive both.

    Wishing you the Complements of the Season—requesting to be kindly remembered to you,

    Mr. Jno. Ogden Junr.

    Believe us
    Dear Sirs

    Yours very Truly
    R. & J. Clews
    As detailed in their letter, the Clews brothers were furious that their nephews, the Jackson boys, had made off with their American customer list. John Greenfield was an important customer for the Clews brothers; examples of their wares survive bearing “J. Greenfield” importer marks. The Clews were also aware that their nephews had sent a significant introductory consignment of their own products to some of the Clewses’ most important customers, one of which being Greenfield.

    The large martial platter may be part of the attempt by the Jacksons to sway John Greenfield away from their uncles’ business. “We are not afraid of their doing us harm as they are of no extent,” assured the Clews…bold words indeed from potters whose fortune depended heavily on the patronage of merchants an ocean away. Unfortunately, the Jackson conspiracy apparently had taken its toll, as the Clewses’ letter states: “How is it Mr.Greenfield has been doing, so well of late and so little with us, and as yet we have not our spring order from Messrs Garretson—or Webb.”

    The long-term success of the Jackson brothers in soliciting the business of their uncles’ customers appears to be needless. As indicated by the records of the Staffordshire Advertiser, both Jackson brothers are listed as bankrupt by 1835. The uncles, James and Ralph Clews, did not fare any better. They declared bankruptcy for a second time in 1834. Conceivably these lessons helped James Clews decide that it was better to switch than fight. By 1836 he had come to America to establish an earthenware pottery in Indiana.

    ___________________________________________

    * aka The Burleigh Ironworks, another American theme.
    ** Though not much better than mine, the spelling and grammar is thiers.
    Attached Files
    Last edited by Vuhginyuh; 01-19-2008, 11:13 AM. Reason: added artifact location
    B. G. Beall (Long Gone)

  • #2
    Re: Important 6 US Inf. marked platter

    Outstanding article Ivy.

    I was at the location of the 1860 breached canal shipping docks last week and the shards littering the site were inches deep in some places. Oddly a great deal of this is bisque. Do you know if they (Jacksons et al) ever used bisque waste as temper in period soft-paste wares?

    There is strong evidence that the waste was incorporated into the clay used in molds at local foundries.
    Last edited by John-Owen Kline; 02-01-2008, 01:23 PM. Reason: added date
    John-Owen Kline

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    • #3
      Re: Important 6 US Inf. marked platter

      John. Good question.

      I don’t have Mountfords near me at the moment. I have seen at least one contemporary citation for bisque temper in English soft wares but I can’t recall the source. The only similar shards we have on file are Eler / Shelton wares and they appear to have pulverized grogs. You will need to buzz Winnie or M.D. on that one.

      Our large Wheildon platter displays some fabric variations in the worn glaze patches on the foot.
      B. G. Beall (Long Gone)

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      • #4
        Re: Important 6 US Inf. marked platter

        Anyone bored yet?
        B. G. Beall (Long Gone)

        Comment


        • #5
          Re: Important 6 US Inf. marked platter

          Mr. Beall,

          Not bored at all. I've not posted here because I don't have anything good to contribute. However, this folder is one of the "don't miss" places on the Forum for me. I always learn something when I read about the reserach done and items identified.

          Thanks for not boring us!

          With my regards,

          Will Eichler
          Will Eichler

          Member, Company of Military Historians
          Saginaw City Light Infantry
          Hubbard Winsor Lodge #420
          Stony Creek Lodge #5

          Civil War Digital Digest
          http://civilwardigitaldigest.com/

          Historic Fort Wayne Coalition
          www.historicfortwaynecoalition.com

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          • #6
            Re: Important 6 US Inf. marked platter

            You will need to buzz Winnie or M.D. on that one.
            Will do.

            Hey Ivy, I slogged the Thames foreshore this past weekend. Thanks for the forced recommendation on that. I stopped by the Museum of London and the better finds were cataloged.

            I picked up what appears to be a large shard of a James Donovan Irish plate. I don't have my Goddens over here so I can't confirm that. Ivy, don't you have a soft paste Donovan with his pressmark on the reverse? That would be a good addition to this thread.

            Donovan was a dealer and not a potter yet his mark is the only one ever found on his wares. Many of his wares are similar to what is popularly referred to as Willow but are somewhat earlier.
            John-Owen Kline

            Comment


            • #7
              Re: Important 6 US Inf. marked platter

              We do have one and I will add it and some notes shortly.
              B. G. Beall (Long Gone)

              Comment


              • #8
                Donovan

                An unusual press-molded soft-paste pearlware Chinese pattern plate with an extremely fine all-over blue transfer print. The reverse marked DONOVAN in upper case.

                Attributed to James Donovan, George's Quay, Dublin, Ireland, ca 1815.Private collection.


                Godden’s notes that James Donovan was a retailer of pottery and porcelain in Dublin, rather than a manufacturer, so wares with his name are interesting and today are considered very rare. (Encyclopedia of British Pottery and Porcelain Marks. Geoffrey A Godden. Crown Press, New York. 1964)

                George O’Brein stated that there were no early Staffordshire style potters in Ireland prior to 1800 and that the Irish Revenue Commissioner’s office reported as late as 1810 that “…we have not a single pottery in this country…” The same office does acknowledge three functional potteries by 1818, one each in Cork, Dublin and Limerick and that all three had reported at least a 500 lbs sterling profit by that time. In fact, Limerick was producing “fine and course wares, ridge & pan tiles, garden pots and domestic crockery”. Geologically the three locations had what it took to be successful; ready amounts of sparkling clay, feldspar, kaolin, flint, and shale. (The Economic History of Ireland from the Union to the Famine. George Augustine Thomas O’Brien. Longmans, Green and Company. London. 1921. 3rd edition, revised. 1948)

                The fact that Donovan was a retailer during the time that potters were a rare commodity in Ireland begs the question as to where this very fine pale was actually manufactured. As far as I know, no one has definitively answered that question. It could have been ordered from any of the main English Staffordshire potteries thus categorizing it as an export ware. It is also very possible that it may be the work of an early Irish pottery that was not showing a profit large enough to report to the Revenue Commission. That would have excluded a potter from being included on any Revenue registry. (Dublin and Irish Collections. Dublin City Library & Archive. 138 - 144 Pearse Street, Dublin 2)

                The print is very distinctive and somewhat different from the mainstream Chinese “willow” style pattern designs of the time. Unlike most import wares of this style and time it is without question well executed. This quality and attention to detail are important pieces of evidence that it may have been locally made for Donovan. Most of this genre is poorly rendered. The central design is clearly based on the popular so-called willow pattern but actually predates the accepted period of that design by a good number of years. Some of the main elements of the later “willow” design are missing here; the lovers crossing the bridge; the bluebirds to name a couple. The theme also includes three fishermen. This is simply a stylized interpretation of a Chinese export porcelain design that the print maker adapted for his own purposes.

                Octagonal in shape, the plate exhibits a fine Chinese derived border. The plate is finely potted and is approximately 9 1/2 inches across. There is overall light mineral staining which accounts for the light tea cast.
                Attached Files
                Last edited by Vuhginyuh; 02-22-2008, 12:14 PM. Reason: corrected citation year
                B. G. Beall (Long Gone)

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                • #9
                  Re: Important 6 US Inf. marked platter

                  Thats the one boss, thanks.
                  John-Owen Kline

                  Comment


                  • #10
                    Re: Important 6 US Inf. marked platter

                    That is an AMAZING piece. What an incredible find. The style is very similar to the much earlier "American Views" type series, only not in blue.
                    [IMG]http://www.cleydael.org/photos/kcsignature.gif[/IMG]
                    Kathryn Coombs
                    [URL=http://www.agsas.org]Cleydael Farm[/URL]
                    (former civilian moderator of this here place until captured by film industry... missing my hobby!!)

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