Re: (Dan) Emmett's Standard Drummer Manuscript - In the Gilderoy
I really don't think we have nearly enough information yet to make firm conclusions about what was played, how often, and whether the manuals reflected what was played or contributed to it. A comparison of the manuals is tricky too. After all, did Howe rip off Keach, or were both showing the same beats commonly played? I agree with Sue: Why make up stuff nobody was using when it was easier to put in what most were already playing?
The music publishing world then was pretty small, often with stores not far apart from each other. Most of the publishers were turning to a small circle of the best brass band and military background musicians in the north east. So similarities would be expected, I would think.
Another thing to consider is that the music in the fife manuals was undoubtedly being played on many instruments, almost every instrument. Much of the music had been used by Howe for decades for tutors for flutes, clarinets, violins, you name it. It also was extremely common for musicians to not concentrate on one instrument, but to play many instruments. Ned Kendall for example ("Ned Kendall's Q.S. in B&E) was a great fifer, a great drummer, and probably the world's greatest keyed bugle player that ever lived. And, of course, there was the multi-talented Dan Emmett.
Speaking of whom, there was a beautiful Firth Pond presentation drum up for auction a few years ago that was taken to war by a young federal drummer. They wanted like twelve grand and it didn't sell, so I got to see it for sale at a relic show a few months later. Along with the drum was the manual he carried, and in it a handwritten list of daily beats he was to play, and the time to beat them. The manual was Bruce & Emmett's. So you never know.
Joe Whitney
2nd SC String Band
Liberty Hall Drum & Fife Corps
I really don't think we have nearly enough information yet to make firm conclusions about what was played, how often, and whether the manuals reflected what was played or contributed to it. A comparison of the manuals is tricky too. After all, did Howe rip off Keach, or were both showing the same beats commonly played? I agree with Sue: Why make up stuff nobody was using when it was easier to put in what most were already playing?
The music publishing world then was pretty small, often with stores not far apart from each other. Most of the publishers were turning to a small circle of the best brass band and military background musicians in the north east. So similarities would be expected, I would think.
Another thing to consider is that the music in the fife manuals was undoubtedly being played on many instruments, almost every instrument. Much of the music had been used by Howe for decades for tutors for flutes, clarinets, violins, you name it. It also was extremely common for musicians to not concentrate on one instrument, but to play many instruments. Ned Kendall for example ("Ned Kendall's Q.S. in B&E) was a great fifer, a great drummer, and probably the world's greatest keyed bugle player that ever lived. And, of course, there was the multi-talented Dan Emmett.
Speaking of whom, there was a beautiful Firth Pond presentation drum up for auction a few years ago that was taken to war by a young federal drummer. They wanted like twelve grand and it didn't sell, so I got to see it for sale at a relic show a few months later. Along with the drum was the manual he carried, and in it a handwritten list of daily beats he was to play, and the time to beat them. The manual was Bruce & Emmett's. So you never know.
Joe Whitney
2nd SC String Band
Liberty Hall Drum & Fife Corps
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