The attached picture is of a fairly well known "period" band of the sort too familiar at Community living Histories and Mainstream reenactments. The name of the band is blocked out - my intent is not to embarass them.
What I see is a 1920's pattern "Proffit" style Appalachian folk banjo, a Martin post-1900s 000 size folk guitar being strummed, a 1960s Bob Dillon style harmonica clamp, a twentieth century style Bodran, a modern smallish open tamborine played by a woman... All is ok except that this group claims to be a Civil War battlefield band - in person, on their CDs, at their web site.
I am heartened by the interest, facts, and performances shown on the AC in regard period music, to counteract such Mainstream performances. As with gear and impressions, my hope is that the higher standard AC approach to period music will slowly leak out to improve mainstream performances as well. (The National Park battlefield site managers and curators should in particular become more aware of this aspect as they hire musicians for their public events).
I am only a halfway period performer myself, my fellow musicians aren't motivated and I have to play to their modern tunings and instruments. But I am trying to at least appear correctly, from ten feet or so. Next step is to allow a closer look and keep practicing from original sheet music and tutors.
Anybody else struggling with this?
- Dan Wykes
What I see is a 1920's pattern "Proffit" style Appalachian folk banjo, a Martin post-1900s 000 size folk guitar being strummed, a 1960s Bob Dillon style harmonica clamp, a twentieth century style Bodran, a modern smallish open tamborine played by a woman... All is ok except that this group claims to be a Civil War battlefield band - in person, on their CDs, at their web site.
I am heartened by the interest, facts, and performances shown on the AC in regard period music, to counteract such Mainstream performances. As with gear and impressions, my hope is that the higher standard AC approach to period music will slowly leak out to improve mainstream performances as well. (The National Park battlefield site managers and curators should in particular become more aware of this aspect as they hire musicians for their public events).
I am only a halfway period performer myself, my fellow musicians aren't motivated and I have to play to their modern tunings and instruments. But I am trying to at least appear correctly, from ten feet or so. Next step is to allow a closer look and keep practicing from original sheet music and tutors.
Anybody else struggling with this?
- Dan Wykes
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