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repro confederate saddlery

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  • repro confederate saddlery

    After seeing websites and products of late, I notice most items for sale these days are a little better in accuracy and the variety of available than generally in the past. A couple items still need to be addressed though, as I find makers falling into the same traps of the last decade. Often, rather than doing their own research they follow whatever secondary sources say or sketch. So when one of these is flawed that flaw makes it's way into current production and hence poor history is set in "fact". Very much like the art work of Strain and Kunstler has taken license to leave historical accuracy behind in favor of reenactorism. An example of this passed down mistake of the last decade is the watering loop on the federal bridles. Steffens book sketched out how these things must appear, without taking into consideration size and construction. So for years federal bridles had these huge loops wrapping around the cheek piece and into the seam. When in fact this would be impossible given the dimensions. Most have now corrected that mistake. But with each advance we see new areas that need to be addressed. I'd like to point out a few of these.
    First, nearly every original piece of tack had the edges dressed, I notice some of the modern makers do not do this and leave edges raw. This short cut saves time and cost but is not accurate in it's presentation.
    Second, I would have to say the continued use of iron horse shoe buckles as confederate issue is misleading at best. While these buckles may have commonly been used by civilians, contractors, and even government production early on, it was in an effort to use what was available and get something in the field. Without a doubt the buckle being used on confederate tack, especially enlisted in the eastern theatre, was the iron wire roller buckle. While this mistake I believe arises from the illustrations in Ken Knopp's book on CS saddlery, I do not want to take away any of the fine research he has provided with this book. This is a mistake that was overlooked and much like steffens work is copied by those makers looking at illustrations. There is a letter which I will post later when I can find it, from Maj. Downer to, I believe, Col. Gorgas stating, (and I'm paraphrasing since I can't lay my hands on it right now) that nothing can be made here until he gets more sheet iron for the Buckles and this is the buckle that nearly everything is made with. Another letter from Downer to Gorgas which Knopp partially included in his book states," no other buckle is made in the Confederacy except a brass one which is... denser and... weaker than a wire buckle un welded." Sheet iron needed for rollers and a un welded wire buckle says it all, The buckle being used is an un welded iron wire roller buckle. The brass buckle while produced, is not preferred. If these letters had been printed and quoted rather than summed up, as authors often do, any confusion would have been cleared up. No work is ever perfect and new data is constantly coming in, often after publishing. We as the reader often have to read with a critical eye and be aware of new research.. While there is no doubt iron wire horseshoe buckles were used, as illustrated, there is no doubt that the vast majority of CS leather work used the roller buckle!
    Third, the five ring halter. Again this comes from illustrations in "Confederate saddles & Horse equipment". The connecting strap under the chin was not twisted as illustrated it was sewn in as anyone can see looking at many modern nylon halters. A ring under the chin has three pieces of leather sewn on it. Very simple, sometimes we over think the data.
    Fourth, The weight of the leather. Makers still seem to be under the impression that heavier is better. Specific weights were called for certain items. The quality and the cut from the hide of the leather is what provides strength not thickness.
    Well these are just a few things we should all be aware of. Again I do not want to disparage Ken's book as I think he did a fine job with a very difficult topic.

    Todd Kern
    Todd Kern

  • #2
    Re: repro confederate saddlery

    Thank you very much Todd,
    any detailed information is always dearly appreciated!
    Jan H.Berger
    Hornist

    German Mess
    http://germanmess.de/

    www.lederarsenal.com


    "Und setzet ihr nicht das Leben ein, nie wird euch das Leben gewonnen sein."( Friedrich Schiller)

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    • #3
      Re: repro confederate saddlery

      Todd makes some very good points in the above dissertation. He has done alot to bring some of these "reenactorisms' to light over the years and especially those perpetuated by CW artists and more often, by (lazy) reenactors themselves. I do not know Mr Kunstler but I do know J.P. Strain. He is an excellent artist and a fine person but unfortunately as regards to CS cavalry equipment some of his art is a bit too "reenactorized". I have spoken to him about this on more than one occasion and offered "gratis" assistance but he has yet to avail himself. As for reenactors, hey, do some reading! There any number of good research books, articles out there (and certainly higher quality sutler’s to buy from) to learn what is more likely to be accurate. Its not that hard to do.
      A couple of other of Todd’s points I must address. I admit I blew it on the five ring halter art work. No excuses, nobody’s fault but mine. I suppose I just missed it and by the time I recognized it for what it was, it was too late, its in print for all time! Sorry! The Single Ring halter also has some issues but not profound ones. Certainly, commercial makers of the period make it clear there were several variations of this halter including this one which I believe approximates the article issued. There are a few other problems in the first or second books but not many.
      Todd’s points about writers such as Steffen and myself is well taken. The bad thing about publishing “anything” is that no matter how much research you do, you cannot be right about every detail. New information always comes to light. Sometimes simply because you as an author “planted a seed.” I welcome it too! I have learned a tremendous amount of new “stuff” since the first book and continue to write articles to get this information out. You know, I have always abhorred writers that purposely hoard good historical research information (simply to aggrandize themselves) that others might desire or need. It is so selfish. The flip side of that is, sadly, being “wrong” is the price you sometimes pay for publishing.
      Todd is right that cavalry equipment and makers seem to be improving. Some faster that others but we are moving forward. For example, Todd's points on leather thickness are well taken and need to change. He and I might disagree about the percentages of horse shoe buckles vs roller buckles (eastern Confederacy) but that is a minor issue. Hardware is however, a pet peeve of mine. I love hardware but I see that CS Saddle makers today have far too much of the wrong pattern of hardware. Moreoften too much, the wrong kind (or wrong item) of brass hardware and too much japanned hardware. I also understand how difficult hardware is to reproduce arrucately.
      As for CS hardware, note that civilian stock piles were used up and then contractors made huge amounts. Substantial amounts of hardware were also imported from England but their appearances (military? Civilian? Or ?) are difficult to accurately determine. So variations abounded. In general, domestic CS made hardware was usually not japanned but varnished- often with linseed oil. Something I rarely see today.
      I have some other pet peeves about reenactor myths too.
      First, one that Todd touches on is how saddle makers copy the drawings from my books. The “artist renditions” are simply that. I could not always find a documented artifact to photograph that was representative of the article. Other times I compiled bits and pieces of excerpts from many pieces of Confederate correspondence to produce a composite drawing of a particular piece. Please understand one should NEVER take these drawings as the END ALL example of the actual issue item. They are “composite artist renditions”. In fact, one should NEVER take any Confederate artifact of any kind and suggest this was the ONLY way it was manufactured. As I have said many, many times, equipment evolved over time with sometimes dramatic changes resulting from changes in patterns, materials available and multiple makers.
      Second, way too many Federal saddles in CS ranks. There can be no argument to the fact that many tens of thousands of CS saddles were manufactured and issued. Some were not liked very much by troopers but they were issued and used because that was often the only thing available. Jenifer, McClellan, Texas, civilian.... pick your preferred pattern. I suggest more CS makes or civilian patterns should be rode by reenactors today.
      Third, Loose the saddle bags! There were made early war and out west in large numbers (not so much in the east-valises) and not much at all after mid-63. Use a valise instead. Better yet, by mid to late war use only a blanket roll. Lighter is better! Too much “stuff” is hard on your horse anyway.
      Fourth, use period civilian pattern breast straps with an “O” ring. Forget the brass heart too.
      Fifth (and last for now), russet leather. David Jarnagin and I have done a lot of research lately on Confederate leather. We have an article to be published this fall in North South Trader on the subject. We have found that russet leather (domestic made and imported) was usually more prevalent than black for a lot of CS equipment including most cavalry gear. Not a blanket statement but it would be more accurate to see more russet skirts, bridles, halters, etc. than we do now.
      Anyway, I could go on here but I am getting too long. For whatever its worth these are some of my observations.

      Ken R Knopp

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      • #4
        Re: repro confederate saddlery

        on the subject of leather weight, I have had to make several "field repairs" on my saddles and head gear over the years. I use the weight of leather i have that is nearest to what I am repairing, but don't make much effort to acquire the original.
        I presume that would have been done in the field, but am interested in some "expert' opinions on it. Have I fallen into an unfortunate "reenacterism"?
        Patrick
        Pete the Bugler
        Just a private soldier trying to make a difference

        Patrick Peterson
        Old wore out Bugler

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