Being the character
I was sure that I would come back to the forum and there wouldn't be one response to this thread, now I will have an hour of solid reading! Thanks to everyone for your great ideas and input. To me "first person" is one of those aspects that we never really "master."
As to you using aliases, I can understand that would be difficult o use another name, my main point was consistency and the ability to turn your modern habits "off." For myself, I would like to adopt a new persona. So get to know me.
In regards to Elizabeth Clark and Hank Trent's posts about civilian first person impressions, I will state this much. I have seen civilian reenactors really carry the event and dazzle the military side, some of the time we are slacked jawed with our responses and two dimensional in our interactions with a well thought out, rehearsed, researched, and devloped civilian immersion role.
That takes me to the "events" and our Tier 1/2 designations, immersion-semi-immersion events. At this point I would like to say that I had one great experience interpreting a 19th Century character, but I haver mostly been a well dressed and properly accoutered, living prop. I hope you appreciated the extra scenery I afforded. I believe that if we are to have full immersion events, then the communication and backdrop stories, along with forum discussions need to be rehearsed, as suggested by E. Clark and Hank Trent. Although some highly functional units might practice first person within their group, they still need to have some familiarness with the other characters, the local area and the "current" events.
Any impression will seem stilted and hokey at first. We are not used to it. People we know are not used to us acting this way, but I believe practice helps. For me this is the biggest challenge in this hobby.
I might also mention stage and film actors. Does any of the techniques that actors use for getting in to character for a film or play, have any applicability for us? Would a course or a actors workshop help us lose the "ham" factor? Alright don't throw rocks at me for that, just throwing out some ideas.
Well at least we're talking about first person.
I was sure that I would come back to the forum and there wouldn't be one response to this thread, now I will have an hour of solid reading! Thanks to everyone for your great ideas and input. To me "first person" is one of those aspects that we never really "master."
As to you using aliases, I can understand that would be difficult o use another name, my main point was consistency and the ability to turn your modern habits "off." For myself, I would like to adopt a new persona. So get to know me.
In regards to Elizabeth Clark and Hank Trent's posts about civilian first person impressions, I will state this much. I have seen civilian reenactors really carry the event and dazzle the military side, some of the time we are slacked jawed with our responses and two dimensional in our interactions with a well thought out, rehearsed, researched, and devloped civilian immersion role.
That takes me to the "events" and our Tier 1/2 designations, immersion-semi-immersion events. At this point I would like to say that I had one great experience interpreting a 19th Century character, but I haver mostly been a well dressed and properly accoutered, living prop. I hope you appreciated the extra scenery I afforded. I believe that if we are to have full immersion events, then the communication and backdrop stories, along with forum discussions need to be rehearsed, as suggested by E. Clark and Hank Trent. Although some highly functional units might practice first person within their group, they still need to have some familiarness with the other characters, the local area and the "current" events.
Any impression will seem stilted and hokey at first. We are not used to it. People we know are not used to us acting this way, but I believe practice helps. For me this is the biggest challenge in this hobby.
I might also mention stage and film actors. Does any of the techniques that actors use for getting in to character for a film or play, have any applicability for us? Would a course or a actors workshop help us lose the "ham" factor? Alright don't throw rocks at me for that, just throwing out some ideas.
Well at least we're talking about first person.
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